The
Yellow Pearl
a liturgical play in one act
by Margaret Forsythe
About
the Play:
An Easter celebration, The Yellow Pearl traces the agonizing quest of
a gem merchant who is searching for a pearl beyond imagination. Throughout
his travels—and travails—he encounters both the splendor and
the baseness of humanity. Finally, he discovers the true Pearl beyond
Price.
Characters:
Narrator
Eldad, a prosperous gem merchant
Merchant, another gem merchant
Hadanyeh, a Prince, and old friend of Eldad’s
Bactrian Chief, a wild man from the North
Two Roman Guards
Onones, King of Parthia and friend of Eldad’s
Old Man, a stranger encountered by Eldad
A Poor Woman, one of a crowd.
Levi, a Toll Collector
A Poor Boy
A Beggar
Jesus
Messenger
Man 1
Man 2
Several Poor People
(NOTE: Several of these roles can be double cast allowing the play to
be performed with 11 actors. Larger casting is possible.)
The
Scene:
Numerous areas around Capernaum, the Euphrates, old Rome, and Jerusalem.
The set, itself, is a simple bare stage, decorated only with possible
shrubbery or landmarks which can be rolled on an off between scenes, sometimes
by the actors themselves. As scenes change, props or wagons are rolled
on to suggest a change in locale.
Time:
shortly before the Crucifixion
From
the Play:
Narrator: Eldad Ben Jacob followed the camel trains from the mouth of
the Euphrates to the palace of his friend, Hadanyeh, in the south of Arabia.
Eldad was a young and wealthy gem merchant in search of a wonderful yellow
pearl that we rumored to come from the reefs of Bahrein
(The lights rise and we see
Handanyeh sitting on a throne. He is a young man, clad in regal garments.
The NARRATOR retreats as Eldad enters. He is in his middle years and is
obviously wealthy.)
Eldad: Hadanyeh, my dear friend.
I’m glad to see you again.
Handanyeh: Eldad ben Jacob! My old friend. What brings you so many miles
across the desert?
Eldad: I’m looking for you. If my prayers are to be answered, you
may be able to help me today . . .
Handanyeh: You don’t look as if you need help to me, Eldad. Your
eyes glow as brightly as your famous rubies It looks as if business has
gone well with you . . .
Eldad: (somewhat feverishly) You might think so. In this pouch, I have
rubies and emeralds more beautiful than most men have ever seen. And pearls
of almost every color. But today I still call l myself a poor man.
Handanyeh: Why?
Eldad: I’ve heard you have a jewel my heart aches to own.
Handanyeh: (laughing) Eldad ben Jacob! I can’t believe that anything
in my poor purse would make a great gem merchant like you envious.
Eldad: It’s a pearl, Hadanyeh. A yellow pearl.
Handanyeh: (thinking) A pear? Hmm. Ah! The yellow pearl! I should have
known you’d come looking for it one day.
Eldad: (excited) Then you have it! My dear friend. Please. Let me buy
it. I’ll trade you everything that I have. Take it. Just let me
have the pearl.
Handanyeh: If I had it, I would. I’d give it to you as my friend.
But I’ve already given it away as a gift. Just a little while ago.
I sent it with my servant to another old friend in Parthia. Poor man was
waylaid by thieves before he got there. I haven’t heard anything
about the pearl since.
Eldad: I can’t believe you gave it away! Why?
Handanyeh: I don’t know. It had a strange power. I meant to possess
it. But I started to feel that it possessed me.
Eldad: Then everything I’ve heard about it must be true! I have
to have it.
Handanyeh: Think twice before you go any further, my friend. This is a
very odd gem.
Eldad: Is it as beautiful as I’ve heard?
Handanyeh
More than I could have ever imagined. It’s even hard to remember
it.
Single Copy : $5.00
Production Copies: $4.50 W/Royalty
Royalties: $30/$20
Order Now
|
About the Playwright:
Margaret Forsythe is a pseudonym for a writer who has had a life-long
interest in women’s and children’s issues. A former Director
of Partial Hospitalization for a community mental health center, she has
worked with psychodrama with adults, adolescents, and children. She is
currently working on adaptations of Marcel Proust and has produced critical
works about “Remembrance of Things Past.”
|